ITC Panache Complete Family Pack






Typefaces, like most other works of art, provide a small window into the personalities and sensibilities of the artists who create them. ITC Panache not only provides this window, it is also aptly named. Mr. Edward Benguiat® the dreator of ITC Panache, has all the dash, verve (and panache) hinted at in the design, Creative, capable and prolific, Ed Benguiat has drawn hundreds of exciting and popular typeface designs.
Benguiat's design goal was to create a sans serif typestyle that is versatile, utilitarian - and distinctive. We think he has succeeded admirably. ITC Panache's three weights mix exceptionally well to complement each other or provide emphasis where necessary. Extensive testing at text sizes and design fine-tuning has produced a typeface family which is remarkably homogenous and consistent in color. Text set in ITC Panache is inviting without dissapointment. It is exceptionally easy to read, even in long text blocks of copy or small point sizes.
When set in larger sizes or used for headlines, ITC Panache's character traits becomes more apparent and pronounced to the reader. They help to create graphics with distinction and style.
Big or small. a little or a lot. it's hard not to use ITC Panache well.
If you could pigeonhole ITC Panache, it would probably be classified as a "stressed sans", but this would not completely describe, or do justiceto, the design. There is a slight contrast in stroke weight, which becomes more pronounced as the familiy weight increases; but there is a more to distinguish ITC Panache from ather sans serifs. Perhaps most obvious is its high waist and correspondingly slight condensation of the top half of the "round" capitals. Both of these traits link ITC Panache with the sensuous forms of art nouveau creations. In contrast are the typicall old style "e" found in designs like Cloister® and ITC Berkeley Old Style®, and the two storied "g" common to the early 20th century sans serif designs. The capital "A" even has the cupped top found in Caslon® designs. Part of the beauty of ITC Panache is that all of these seemingly unrelated desig traits are melded into a design of exceptional continuity.
Benguiat's design goal was to create a sans serif typestyle that is versatile, utilitarian - and distinctive. We think he has succeeded admirably. ITC Panache's three weights mix exceptionally well to complement each other or provide emphasis where necessary. Extensive testing at text sizes and design fine-tuning has produced a typeface family which is remarkably homogenous and consistent in color. Text set in ITC Panache is inviting without dissapointment. It is exceptionally easy to read, even in long text blocks of copy or small point sizes.
When set in larger sizes or used for headlines, ITC Panache's character traits becomes more apparent and pronounced to the reader. They help to create graphics with distinction and style.
Big or small. a little or a lot. it's hard not to use ITC Panache well.
If you could pigeonhole ITC Panache, it would probably be classified as a "stressed sans", but this would not completely describe, or do justiceto, the design. There is a slight contrast in stroke weight, which becomes more pronounced as the familiy weight increases; but there is a more to distinguish ITC Panache from ather sans serifs. Perhaps most obvious is its high waist and correspondingly slight condensation of the top half of the "round" capitals. Both of these traits link ITC Panache with the sensuous forms of art nouveau creations. In contrast are the typicall old style "e" found in designs like Cloister® and ITC Berkeley Old Style®, and the two storied "g" common to the early 20th century sans serif designs. The capital "A" even has the cupped top found in Caslon® designs. Part of the beauty of ITC Panache is that all of these seemingly unrelated desig traits are melded into a design of exceptional continuity.
Keywords: ITC Panache Complete Family Pack, Readable, Headline, Professional, Historic, Humanist, Sans Serif, anno 1980, Central European, Text, Easter, Casual, Birthday, Fun, Invitation, Magazine, Business Cards, Catalogs, Newsletters, OpenType, Com, Urkunde, certifica
SKU: 14904404
Product ID: 25113
ITC Panache Book Font Information
| Version: | 2.000 |
| Family Name: | Panache ITC Com |
| Weight: | 400 |
| Glyphs: | 554 |
| Fixed Pitch: | No |
| Symbol Encoded: | No |
| Embedded Bitmaps: | No |
| Creation Date: | 7/20/2009 |
| Modified Date: | 8/11/2009 |
| Unicode Ranges: | Basic Latin Latin-1 Supplement Latin Extended-A |
| Code Pages: | 1252 Latin 1 1250 Latin 2: Eastern Europe 1253 Greek 1254 Turkish 1257 Windows Baltic Mac Roman Macintosh Character Set (US Roman) |
| Hinting: | 0-6 Smoothed 7-12 Hinted 13+ Hinted and Smoothed |
ITC Panache Book Italic Font Information
| Version: | 2.000 |
| Family Name: | Panache ITC Com |
| Weight: | 400 |
| Glyphs: | 413 |
| Fixed Pitch: | No |
| Symbol Encoded: | No |
| Embedded Bitmaps: | No |
| Creation Date: | 7/20/2009 |
| Modified Date: | 8/11/2009 |
| Unicode Ranges: | Basic Latin Latin-1 Supplement Latin Extended-A |
| Code Pages: | 1252 Latin 1 1250 Latin 2: Eastern Europe 1253 Greek 1254 Turkish 1257 Windows Baltic Mac Roman Macintosh Character Set (US Roman) |
| Hinting: | 0-6 Smoothed 7-12 Hinted 13+ Hinted and Smoothed |
ITC Panache Bold Font Information
| Version: | 2.000 |
| Family Name: | Panache ITC Com |
| Weight: | 700 |
| Glyphs: | 554 |
| Fixed Pitch: | No |
| Symbol Encoded: | No |
| Embedded Bitmaps: | No |
| Creation Date: | 7/20/2009 |
| Modified Date: | 8/11/2009 |
| Unicode Ranges: | Basic Latin Latin-1 Supplement Latin Extended-A |
| Code Pages: | 1252 Latin 1 1250 Latin 2: Eastern Europe 1253 Greek 1254 Turkish 1257 Windows Baltic Mac Roman Macintosh Character Set (US Roman) |
| Hinting: | 0-6 Smoothed 7-13 Hinted 14+ Hinted and Smoothed |
ITC Panache Bold Italic Font Information
| Version: | 2.000 |
| Family Name: | Panache ITC Com |
| Weight: | 700 |
| Glyphs: | 413 |
| Fixed Pitch: | No |
| Symbol Encoded: | No |
| Embedded Bitmaps: | No |
| Creation Date: | 7/20/2009 |
| Modified Date: | 8/11/2009 |
| Unicode Ranges: | Basic Latin Latin-1 Supplement Latin Extended-A |
| Code Pages: | 1252 Latin 1 1250 Latin 2: Eastern Europe 1253 Greek 1254 Turkish 1257 Windows Baltic Mac Roman Macintosh Character Set (US Roman) |
| Hinting: | 0-6 Smoothed 7-14 Hinted 15+ Hinted and Smoothed |
ITC Panache Black Font Information
| Version: | 2.000 |
| Family Name: | Panache ITC Com |
| Weight: | 900 |
| Glyphs: | 413 |
| Fixed Pitch: | No |
| Symbol Encoded: | No |
| Embedded Bitmaps: | No |
| Creation Date: | 7/20/2009 |
| Modified Date: | 8/11/2009 |
| Unicode Ranges: | Basic Latin Latin-1 Supplement Latin Extended-A |
| Code Pages: | 1252 Latin 1 1250 Latin 2: Eastern Europe 1253 Greek 1254 Turkish 1257 Windows Baltic Mac Roman Macintosh Character Set (US Roman) |
| Hinting: | 0-6 Smoothed 7-8 Hinted 9+ Hinted and Smoothed |
ITC Panache Black Italic Font Information
| Version: | 2.000 |
| Family Name: | Panache ITC Com |
| Weight: | 900 |
| Glyphs: | 413 |
| Fixed Pitch: | No |
| Symbol Encoded: | No |
| Embedded Bitmaps: | No |
| Creation Date: | 7/20/2009 |
| Modified Date: | 8/11/2009 |
| Unicode Ranges: | Basic Latin Latin-1 Supplement Latin Extended-A |
| Code Pages: | 1252 Latin 1 1250 Latin 2: Eastern Europe 1253 Greek 1254 Turkish 1257 Windows Baltic Mac Roman Macintosh Character Set (US Roman) |
| Hinting: | 0-6 Smoothed 7-9 Hinted 10+ Hinted and Smoothed |
Character Set
Select Font:OpenType Features
- Access All Alternates
- Case-Sensitive Forms
- Discretionary Ligatures
- Fractions
- Localized Forms
- Oldstyle Figures
- Ordinals
- Small Capitals From Capitals
- Small Capitals
- Standard Ligatures
- Superscript
An OpenType-savvy application such as Adobe Creative Suite or Quark XPress is required to access the OpenType typographic features.
Please select feature to see available glyphs.
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