Baskerville Fonts
John Baskerville was responsible for one of our most popular and historically significant typefaces, the Baskerville font family. The Baskerville font family played a powerful role in moving the typography world from Old Style designs to Modern typefaces. Benjamin Franklin, the printer, inventor, and politician who helped draw up the American Declaration of Independence and Constitution, was a great admirer of the Baskerville font family.
Baskerville Packages
-
$110.00
- $20.00
- $19.95
- $20.00
- $20.00
- $19.95
- $20.00
- URW Baskerville Fonts
- $19.95
- $19.95
- $19.95
- $19.95
- $19.95
- $19.95
- $19.95
- $19.95
- $19.95
- $19.95
- $19.95
- $19.95
- $19.95
- $19.95
- $19.95
The Baskerville Font Family, designed in the mid-eighteenth century, is what is called a Transitional typeface: it played a significant role in moving the type world from Old Style designs such as Garamond and Bembo to Modern typefaces like Bodoni and Century Schoolbook.
British printer and typographer John Baskerville (1706-1775)was responsible for one of our most widely used and historically important typefaces.
The common characteristics of Baskerville fonts are the full, open and generous letterforms that give the page a light gray appearance. The Baskerville font transitional face reflects the influence of the copperplate engraver of the period. Possibly the most distinctive capital is the “Q” with its sweeping tail that tucks under the following letter. In the original metal it would actually rest on the shoulder below the following letter and would cause a clash if the next letter had a descender.
The Baskerville font lowercase has a number of other identifying characteristics: the open loop of the “g”” is unmistakable, the cross bar o the “e” is high above the center, providing a generous open counterbelow, and the “J” has a tail which curves below the baseline to create a descender.
Benjamin Franklin, the printer, inventor, and politician who helped draw up the American Declaration of Independence and Constitution, was a great admirer of the Baskerville font typeface.
The clean lines and easy symmetry of American neoclassical federal architecture shares the same style as that of the Baskerville font typeface, in that both enjoy a sense of delicate order and simple, uncluttered beauty. Baskerville fonts works well for various advertising platforms and remains a popular bookface. The Baskerville font generous x-height and open letterforms make it very legible. Standard tracking is good for most situations, and this is also the case for kerning. Baskerville fonts, size for size, will take up more space than Garamond and Bembo.
Monotype's 1923 recutting of Baskerville Font Family is considered the first true rendition of the artisan's landmark design. A classic text face, Baskerville Font Family's delicate strength makes it a natural choice for books and magazines. Baskerville Font Family has an elegant personality but remains neutral to the reader in text settings. When used for display purposes, Baskerville fonts hidden charms become apparent.